
- wjm3u8
猜你喜歡
2024
0.0分
劇情片
在一所寄宿學(xué)校中,一位學(xué)生遇害了。新生Frankie卷入了眾人懷疑之中,她將如何自證清白?
HD
2025
0.0分
劇情片
TC
2025
0.0分
劇情片
TC
2025
0.0分
劇情片
HD
1995
0.0分
劇情片
警員阿海(劉青云 飾)事業(yè)上精明能干,但與妻子(李若彤 飾)的關(guān)系十分惡劣,妻子更懷上了別人的孩子,婚姻瀕臨破裂。阿海在與歹徒搏斗的時(shí)候腦部中槍,自此失去了味覺(jué)。妻子全力照顧,兩人的關(guān)系也開始轉(zhuǎn)好。沒(méi)想到該歹徒逃脫成功,并綁架了阿海的妻子要挾阿海出現(xiàn),在槍林彈雨中與歹徒時(shí),阿海才發(fā)現(xiàn)自己一生中最愛(ài)的人還是自己的妻子。歹徒挾持著妻子,并告訴阿海房間內(nèi)已充滿了煤氣,只要阿海開槍便會(huì)爆炸,事實(shí)上阿海已..
HD中字
《飄零雙燕》劇情介紹
6080提供影視作品飄零雙燕高清全集在線觀看的影視全集網(wǎng),劇情片《飄零雙燕》全集作品的導(dǎo)演是沃納·施羅德 ,由伊莎貝爾·于佩爾 布魯·歐吉爾 阿麗爾·朵巴絲勒 安尼卡·庫(kù)爾 羅班松·斯泰弗南 讓-弗朗索瓦·斯泰弗南 羅基里奧·薩莫拉 曼努埃爾?布蘭科 Tim Fischer 主演,飄零雙燕在豆瓣的評(píng)分為0.0,本片由小編于2025-08-24 08:21更新,希望大家喜歡,可以把《飄零雙燕》推薦給你朋友,本作品的地址為 http://www.longhuahuitong.cn/movie/23647.html
《飄零雙燕》簡(jiǎn)介:Magdalena and Maria are two twin sisters who were separated at birth and know nothing of the other’s existence. ?Maria runs away from the boarding school in which she was brought up and finds work as a cabaret performer in the cafés of Marseilles. ?Magdalena lives with her adopted parents and works in an art gallery. ?The two sisters are joined by an invisible bond which draws them towards the same tragic conclusion. Director Werner Schroeter has acquired a reputation as an experimentalist filmmaker, hailed by some as an underrated genius, reviled by others for being a peddler of self-indulgent kitsch. ?Deux is arguably Schroeter’s most ambitious, unsettling and repulsive work to date. ?The director certainly wastes no time in alienating his audience; from the first ten minutes of the film it is clear this is not going to be an easy ride. ?The narrative cuts haphazardly between seemingly unconnected events, alternating between realism and stylised fantasy dream sequences, periodically shocking the spectator with graphic images of lesbian sex and a woman being slowly disembowelled. ?Having several actors playing multiple parts only adds to the sense of artifice and utter confusion, which is a pity as there is manifestly a lot of great acting talent on show – not least of which is Isabelle Huppert. ?The film’s sheer relentless grotesqueness and self-indulgence is so extreme, so unbridled, so stomach-churningly provocative, that it is hard to take any of it seriously.