
導(dǎo)演:
上映:
1958
更新:
2025-08-24 09:04
劇情:
Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel wh..
- wjm3u8
猜你喜歡
2025
0.0分
劇情片
HD
2025
0.0分
劇情片
TC
2025
0.0分
劇情片
HD
1995
0.0分
劇情片
警員阿海(劉青云 飾)事業(yè)上精明能干,但與妻子(李若彤 飾)的關(guān)系十分惡劣,妻子更懷上了別人的孩子,婚姻瀕臨破裂。阿海在與歹徒搏斗的時(shí)候腦部中槍?zhuān)源耸チ宋队X(jué)。妻子全力照顧,兩人的關(guān)系也開(kāi)始轉(zhuǎn)好。沒(méi)想到該歹徒逃脫成功,并綁架了阿海的妻子要挾阿海出現(xiàn),在槍林彈雨中與歹徒時(shí),阿海才發(fā)現(xiàn)自己一生中最?lèi)?ài)的人還是自己的妻子。歹徒挾持著妻子,并告訴阿海房間內(nèi)已充滿了煤氣,只要阿海開(kāi)槍便會(huì)爆炸,事實(shí)上阿海已..
HD中字
1991
0.0分
劇情片
明代孝宗年間,施家鎮(zhèn)出現(xiàn)扶桑鬼王(左頌升 飾)危害人間,并霸占美女施施(王祖賢 飾)為愛(ài)姬。鬼王傷害性命無(wú)數(shù),惹得天怒人怨,皇上任命正直武官馬尚峰(成奎安 飾)捉拿鬼王。正當(dāng)愁眉不展之際,師爺向馬舉薦身懷絕技的草蘆居士(林正英 飾)幫忙,卻得知為除鬼王需犧牲自己的性命。馬憤憤返回,草蘆居士設(shè)計(jì)令馬尚峰假死,使其化為金甲武士與徒弟(黃一山 飾)擔(dān)任自己的左右護(hù)衛(wèi)。師徒三人與鬼王展開(kāi)艱苦鏖戰(zhàn),卻由此..
HD中字
《不安分的年輕人們》劇情介紹
6080提供影視作品不安分的年輕人們高清全集在線觀看的影視全集網(wǎng),劇情片《不安分的年輕人們》全集作品的導(dǎo)演是馬塞爾·卡爾內(nèi) ,由帕斯卡爾·普緹 安德麗·帕里西 雅克·夏里爾 洛朗·特茲弗 讓-保羅·貝爾蒙多 達(dá)妮·薩瓦爾 主演,不安分的年輕人們在豆瓣的評(píng)分為0.0,本片由小編于2025-08-24 09:04更新,希望大家喜歡,可以把《不安分的年輕人們》推薦給你朋友,本作品的地址為 http://www.longhuahuitong.cn/movie/38500.html
《不安分的年輕人們》簡(jiǎn)介:Middle class student Bob Letellier enters a new world when he meets Alain, a free-thinking rebel who, along with his group of young Parisians, has opted for a life of instant gratification instead of work and commitment. At a party, Bob meets a young woman, Mic, who appears to be just as carefree and cynical as Alain. Mic's only dream is to own a luxury car, and with Bob's help, she manages to find the money to but it. Mic's friend Clo discovers she is pregnant and, not knowing who the father is, she asks Bob to marry her. When they next meet at a party, Bob and Mic deny that they have any feelings for one another - a declaration that soon leads to tragedy... Marcel Carné is widely regarded as one of the standard bearers of French quality cinema of the 1930s and 1940s, responsible for such masterpieces as Quai des brumes (1938) and Les Enfants du Paradis (1945). How ironic then that, in 1958, towards the end of his film-making career, he should make a film which dared to portray the attitudes and behaviour of the 1950s youth, in a way that effectively captures the mood and sentiment of the time. Les Tricheurs was a hugely controversial film, not least because of its blatant depiction of adolescent free-love, and was even banned in some regions of France. It also received some intensely unfavourable reviews, most notably from the young hotheads on the Cahiers du cinéma such as Fran?ois Truffaut who cited this film as a prime example of the decline of French cinema into mediocrity. In spite of all this negative press, the film proved to be an astonishing commercial success, attracting five million cinema-goers, and was awarded the Grand Prix du Cinéma fran?ais in 1958. Whilst Les Tricheurs is not as flawless as Carné's earlier masterpieces, it is nonetheless a significant work, having the power to both shock and move its audience, whilst having great entertainment value. It evokes the mood of its time in a way that few French films of this period did, depicting young people as pleasure-seeking rebels, rejecting the austerity and discipline of the previous generation whilst pursuing a life without cares, responsibilities or love. Similarities with James Dean's films of the 1950s (most notably Rebel without a Cause) are apparent, although Carné's treatment of young people is far more abstract - in his film they merely symbolise a world that has lost its way, more or less victims of post-war prosperity. Although the young people in Les Tricheurs lack the authenticity to be totally credible, the film does make an important, and indeed quite disturbing point, about where the permissive society may be heading. Much of the pleasure of the film is in the performances from its four lead actors, Jacques Charrier, Pascale Petit, Laurent Terzieff and Andréa Parisy, although only Terzieff is really convincing in his role. Marcel Carné originally considered Alain Delon and Jean-Paul Belmondo for the parts of Bob and Alain respectively, before opting for Charrier and Terzieff. As a consolation, Carné offered Belmondo a smaller part in the film - alas too small for the actor to be noticed by the public. Belmondo's breakthrough had to wait until the following year when he starred in Jean-Luc Godard's revolutionary A bout de souffle, a film which offers a very different perspective of the youth generation.