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生者陵墓
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當百萬富翁“倫索姆”去世后,她的丈夫“切夫”和他的情婦“羅蘇康”終于有機會公開生活在一起——這是羅蘇康期待已久的時刻。切夫邀請羅蘇康和他一起搬進度假屋。然而,她很快就遭遇了意想不到的恐怖,她在屋內(nèi)發(fā)現(xiàn)了一個玻璃棺材,里面裝著已故第一任妻子倫索姆的尸體。切夫和羅蘇康被迫在一定條件下留在房子里——這種條件源于扭曲的愛情,導(dǎo)致了可怕的報復(fù)。
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鬼眼刑警國語
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姚七星(方中信 飾)和抽水強(森美 飾)被指派對付綁匪殺人王,經(jīng)過一番激烈的槍戰(zhàn),殺人王重傷不治。臨死前,憤怒的殺人王放出話來,說做鬼也不會放過姚七星。姚七星的血液里流淌著特殊的基因,身為家中老七,他竟然得到了能夠看到鬼魂的陰陽眼。   一次偶然中,姚七星看到了被殺人王所害的好友,好友告訴姚七星,殺人王將會在頭七之日從陰曹地府回來找他報仇,這讓姚七星感到十分害怕。上司Madam徐(梁敏儀 飾)派..
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追魂米老鼠
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An obsessed psychopath unknowingly leads her friends into a deadly mousetrap where pure evil seeks to harvest their skin, in this horrific origin story of the most beloved cartoon character of modern..
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最終復(fù)蘇
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羅德尼被送進了Sage治療中心,并且由一位變態(tài)扭曲的保姆來負責照顧。在這段時間里,他一直試圖討好自己的家人和新朋友,但這也為他帶來了許多麻煩。于是在諸多壓力下,他決定開始反抗。
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陀地驅(qū)魔人
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自幼擁有陰陽眼的黃永發(fā)(張家輝 飾)時常幫人驅(qū)魔除靈,童年的遭遇讓他多年來始終和女鬼江雪(郭采潔 飾)相守度日,雙方情同母子又有如情侶。在某次和哥們兒阿聰(張繼聰 飾)驅(qū)魔時,阿發(fā)遭遇了一個身形高大的惡鬼。這次驅(qū)魔的視頻上傳網(wǎng)絡(luò),引起某媒體的關(guān)注,于是女記者紫寧(蔡思貝 飾)被派來采訪阿發(fā)。雖然遭到阿發(fā)的拒絕,可是紫寧還是嘗試各種方法見鬼,因此著實吃了不少的苦頭。在此期間,江湖上接連有法師遭到殺..
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僵尸國語
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《狂野街頭》劇情介紹

6080提供影視作品狂野街頭高清全集在線觀看的影視全集網(wǎng),恐怖片《狂野街頭》全集作品的導(dǎo)演是Barry  Shear   ,由謝利·溫特斯  克里斯托弗·瓊斯  黛安·瓦西  米莉·佩金斯  主演,狂野街頭在豆瓣的評分為0.0,本片由小編于2025-08-24 07:51更新,希望大家喜歡,可以把《狂野街頭》推薦給你朋友,本作品的地址為 http://www.longhuahuitong.cn/movie/15212.html

《狂野街頭》簡介:Deserves recognition as an interesting misunderstanding of the hallucination generation, 20 January 2007  Author TimothyFarrell from Worcester, MA  Wild in the Streets comes from the same school of film making that spawned other attempts to connect to the counterculture such as Skidoo and Candy. The difference between this and the aforementioned films is that Wild in the Streets is reasonably clever and well-made. It isn't sympathetic to the counterculture and will likely offend those with fond memories of the time. Surprisingly, it was a big hit when released and appealed to the youth whom it ridiculed so much. Unlike The Trip and Psych-Out (two other AIP films), its not an accurate representation of the movement at all. However it does work as social satire.  The direction by Barry Shear is good and makes innovative use of split screen photography. Plus, he keeps everything moving at a quick pace. In its funny moments, the film works well. In its attempts at drama, its helplessly dated and just as funny as the humorous moments. Christopher Jones underplays his role and Shelly Winters overacts. Hal Holbrook offers the best performance and Diane Varsi achieves the right note of grooviness. The script by Robert Thom has its moments, especially the ending (easily the most ingenious part of the film). Wild in the Streets isn't perfect, but deserves recognition as an interesting misunderstanding of the hallucination generation. Those into this kind of kitsch will enjoy it the most. I'd rather watch The Trip or Psych-Out however. (610)  -from imdb

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