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孟買勇警
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招魂4:終章
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故事設定在1986年,即《招魂3》的五年后。沃倫夫婦因艾德在第三部中經(jīng)歷惡靈事件而突發(fā)心臟病,已正式退休,不再從事驅(qū)魔工作。他們?nèi)詴酱髮W巡回演講,但連這類機會也在逐漸減少。一些事件最終還是讓他們重返戰(zhàn)場。   這次的核心案件,是沃倫夫婦生涯中最著名的一起事件之一:斯莫爾家族鬧鬼案。據(jù)“新英格蘭通靈研究協(xié)會”(由艾德與洛琳的現(xiàn)實中的女兒朱迪和女婿托尼·斯佩拉負責運營)稱,1970年代,珍妮特與杰..
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《芳心封鎖》劇情介紹

6080提供影視作品芳心封鎖高清全集在線觀看的影視全集網(wǎng),劇情片《芳心封鎖》全集作品的導演是Gilberto  Tofano   ,由Gila  Almagor  主演,芳心封鎖在豆瓣的評分為0.0,本片由小編于2025-08-24 08:30更新,希望大家喜歡,可以把《芳心封鎖》推薦給你朋友,本作品的地址為 http://www.longhuahuitong.cn/movie/26142.html

《芳心封鎖》簡介:The issue of War widow representation in Israeli cinema is one of the most complex for the local industry for it seems to be unique and with a very local and specific iconography.  The war Widow is a difficult character to digest. Because this is an especially painful topic in Israel, its mode of representation is almost always problematic.  Gila Almagor in Tofano's siege is one of the first characters of the modern war widows to appear on Israeli cinema screens.  The human and social complexity of the status of widows was not represented adequately and personally until her complex and fine appearance in this film.  It was mostly Preceded by cliches of heroic women who have sacrificed for the nation with characters to which it was very difficult to get attached, nor to their personal grief.  Siege was directed by an unknown Italian director of that period. Although Gilberto Tofano was brought as a professional director on the wings of inspiration made by the French New Wave of those years, he managed to turn out a very exciting work which has caught the Israeli warmth and sense of social siege which surrounds the Israeli widows, including the great expectations from them and the social stigmas.  Tofano wrapped his leading lady with lots of warmth and gave a place of honor to Almagor's impressive presence in the film.  This is without a doubt one of Almagor's best and most accurate performances. The restraint in her performance plus the shooting and expressive use of angles by Tofano and his soft European touch which was far off from the aggressive local product managed to produce a sense of documenting an authentic tragedy with a tangible personal touch that minimized the national dimension. The result stands the test of time proudly several decades after its creation.

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